Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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Diego Velazquez Las Meninas oil painting


Las Meninas
1656 Museo del Prado, Madrid
Painting ID::  747 		Diego Velazquez
Las Meninas
1656 Museo del Prado, Madrid
   
   
     
Diego Velazquez The Infanta Margarita-p oil painting


The Infanta Margarita-p
1656 Art History Museum, Vienna
Painting ID::  748 		Diego Velazquez
The Infanta Margarita-p
1656 Art History Museum, Vienna
   
   
     
Diego Velazquez The Toilette of Venus oil painting


The Toilette of Venus
National Gallery, London
Painting ID::  749 		Diego Velazquez
The Toilette of Venus
National Gallery, London
   
   
     
Diego Velazquez The Fable of Arachne oil painting


The Fable of Arachne
1657 Museo del Prado, Madrid
Painting ID::  750 		Diego Velazquez
The Fable of Arachne
1657 Museo del Prado, Madrid
   
   
     
Diego Velazquez The Infanta Margarita-o oil painting


The Infanta Margarita-o
1659 Art History Museum, Vienna
Painting ID::  751 		Diego Velazquez
The Infanta Margarita-o
1659 Art History Museum, Vienna
   
   
     
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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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